Suminagashi: Japanese Paper Marbling

Suminagashi: Japanese Paper Marbling
Member: Sarah Amatt
Introduction to Suminagashi; Japanese paper marbling

Course Overview

The art of suminagashi, the Japanese form of paper marbling, is both compelling and intriguing. It dates back to the Heian period of Japan (794-1185) and is the precursor of all other marbling techniques. The craft of paper marbling is included by Heritage Crafts on its endangered list.

The workshop starts at 10 a.m. with coffee and a look at the history of suminagashi and what you need to get started. There will be demonstrations and plenty of opportunities to unleash your creativity and to ask questions! The aim is to help you acquire the necessary skills to create your own designs at home with an understanding of the materials, tools and process. Take home many sheets of paper covered in suminagashi for use in bookbinding and other paper arts. No previous art training is needed, just bring your curiosity!
Each course runs from 10am till 3pm. Maximum of 6 participants.

The cost is £95 to include all materials and tuition plus refreshments.

Suitability

  • Beginner
  • Intermediate
  • Advanced

Access Information

Please ask me if you have any questions.

Cost

£95

Duration

10 - 3

Venue

Birches Farm Nature Reserve

Visit Venue Website

Booking Info

email me at: sarahamatt7@gmail.com

Testimonials

“A wonderfully insightful, well guided and supportive workshop, with plenty of freedom to play and experiment. I am very grateful to have benefitted from being part of a smaller group, giving us more time and space for exploring the medium, as well as one to one guidance to help build confidence … thank you! ”
Julie G 2024
“An absorbing and fun workshop for all ages using simple procedures that produce stunning results.”
Jacki M 2024
“Finally, I found you an exemplary tutor: You made time for each student and I could hear you making positive comments throughout the day. You demonstrated at a good pace so that we could keep up with what you were doing and how we should be aware of what might possibly go wrong. You were gentle, patient and complementary about our work.”
Helen M 2024